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If you’re lucky enough to travel to Cartagena, Colombia, this summer, be prepared to see one dress in particular on every in-the-know, stylish woman. On my recent trip to the beautiful Caribbean city, I asked Colombian designer Silvia Tcherassi which one of her dresses is the most popular in her Cartagena boutique, and she was quick to respond: the Selvino Dress ($2500).

“The Selvino Dress is one of the most versatile pieces I’ve ever made; it’s a new classic,” Tcherassi told Who What Wear. “You can go from casual to party with a simple change of accessories. Some people arrive to Cartagena thinking that it is another tourist destination and never imagine that the women dress up at night to go to restaurants and then to the club. They see this dress in the window of my boutique or posted in Instagram and fall in love immediately. Also, its fluid silhouette and bright color match perfect with the city—and then you can wear it effortlessly in Santa Monica or Saint-Tropez, day or night.”

Harper’s Bazaar España contributing editor Sofía Paramio Delgado, below, is just one of the chic women who have worn the dress in Cartagena—you can see for yourself just how well it blends in. Although Paramio’s yellow version promptly sold out on Net-a-Porter, the dress is still available in black-and-white, so get clicking. Scroll down to see the dress in question and shop the brand.

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Tim Gunn on Fashion, Florals and the Royal Wedding

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Royal Wedding

Tim Gunn, America’s favorite fashion mentor, is best known for his work on Project Runway alongside Heidi Klum. Through his subtle wit and attention to detail, Gunn redefined the understanding and appreciation of modern fashion as we know it. On meeting him a few weeks back when he was getting ready for the Command x Gilt Pop Up Shop in New York City, I was gratified to realize that in-person, Gunn is gracious, wickedly sharp and incredibly kind. In other words, Tim Gunn personifies his catchphrase and seems to always “Make it work.”

In addition to his keen knowledge of fashion, Gunn has an almost encyclopedic knowledge of design history. He spouted architecture tidbits and design history and proudly referenced his past at Parsons School of Design where he served as associate dean before becoming Fashion Design Department chair. I’m certain I blushed fiercely when I mentioned teaching a class I developed in partnership with French luxury goods conglomerate LVMH. Gunn asked me the name of the course, and when I told him, A Short History of Beauty Culture from Cleopatra to the Kardashians, he drolly responded “Well, at least I like the first part, let’s just skip the ending.”

Gunn shared some of his thoughts on how to update your personal look and your home without breaking the bank.

Flowers everywhere: Floral patterns tend to pop up frequently during the spring, with this year being a flowery fashion bonanza. In case you’re wondering, florals go in and out of fashion for clothes, but they can be really tricky when used in home decor. “I think with interiors it’s different,” Gunn said, “because you’re living it and not just wearing it.” He referenced hyper-feminine and florally infused designer Betsey Johnson saying, “I don’t know how Betsey Johnson lives, but I would imagine it’s like her clothes. That’s got to be hard.” If you’re a die-hard floral fan, Gunn suggests using it in limited quantities and spread throughout your home instead of in high concentration in certain spots. Bedrooms and sofas could work, dining rooms—not so much.

With all this talk of florals and royal wedding mania, I was sure that the chintz and cabbage roses traditionally favored by the royal family would set off a craze on our own shores. Not so, according to Gunn. And though he covered the wedding of Prince William and Kate Middleton for ABC News back in 2011, he’s not really planning on binging the upcoming nuptials of Prince Harry and Meghan Markle. It’s a style thing he said, and he isn’t really expecting much of a “celebration of fashion there.”

Your home vs. your personal style: Gunn said even in the fashion industry, one can grow tired of looking at eye-catching items all day. “You’re surrounded by beauty all day and sometimes you just want to shut it off,” he said. For that reason, his own home is decorated in muted shades and neutrals. “I feel like our homes truly are like a nest, the one place where you have to feel comfortable. I have a very neutral palette to my apartment inspired by the colors of limestone. Color is having a moment, but if that’s not your thing you can achieve the same effect with artwork. And keep moving everything around your home- the furniture, the artwork, the rug that doesn’t serve you, the upholstery you never liked. Just because something has been in your family for generations doesn’t mean it will work for you. I use artwork to really bring in more palpable color.”

Get Moving: Gunn grew animated when talking about his partnership with Command, the brand better known for their sticky strips and hooks. As he explained it, you can update your home all the time by switching things around regularly. “I think color can revive you and your home,” Gunn said. “In my home it’s all the colors of my book collection. I think people don’t realize how you can change the look of things by repositioning them. I move things around as opposed to trading things out, so it always feels new.”  The new invisible or decorative items in the line allow you to hang your art temporarily and keep moving it around. Gunn also artfully arranged small gold hooks that can be used as decorative in and of themselves, or more glam when hanging favorite pieces of jewelry. “I like that you can move something 3 inches to the right, or change an arrangement in a room and change everything,” he said. “But don’t just change one part of a room, because moving pictures or furniture changes the proportions of the room and the visual relationships between what’s on the wall and what’s around it.”

Decorating battles: Meanwhile, what do you do if you live with someone who has terrible taste? Do you have to let them add their zebra printed metallic table to your living room? “You pick your battles,” Gunn said. “I’m not sure there’s one right way to solve it,” he said gesturing to an extremely shiny rhinestone and metallic pillow. “Maybe you add a pillow. No, not even a pillow. Maybe you add a border–a very thin border– and leave it at that.”

P.S. I tried some of Tim’s tricks for quick spring home updates. After struggling to arrange some hooks in a vee shaped design I kind of gave up, but my walls overall look so much better!

Original Article by: Parade

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Bianca Spender on sustainable fashion: ‘There’s always a way to weave in something beautiful’

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Bianca Spender

The #MeToo movement, the 19th-century designer Emilie Flöge and the water stewardship council of Australia may seem to be unlikely inspirations for a fashion show but these are all part of the backstory for Bianca Spender’s latest collection.

On Monday the designer launched her resort collection at Australian fashion week. In a show staged in a cavernous warehouse with bare-brick walls, she sent a parade of young women down the runway in draped dresses, sculptural tops and tailored pants.

The collection was filled with glorious but unexpected combinations of mint green, terracotta, buttery yellow, royal blue and white, with a splash of fluoro orange. Even the most casual observer would have appreciated that the clothes looked both elegant and wearable.

But there’s much more to the design of these clothes than their expertly draped finish. Firstly, Spender didn’t start off thinking about the latest trends or the hottest colours; she began by thinking about the emancipation of women. “[I was] trying to think about the role that fashion has and the role that fashion has had in our lives in giving us power and freedom and equality.”

Bianca Spender in her studio three days before her fashion week 2018 show
 Bianca Spender in her studio: ‘I think [being sustainable] means being careful and respectful. That sounds really simple but it’s really complex in a creative world to be careful with your resources.’ Photograph: Carly Earl for the Guardian

She spent hours researching the Victorian dress reform movement, which brought about the abandonment of corsets, the push for women to wear pants in the mid 19th century, and the aesthetic dress movement, to which Flöge belonged. “[The aesthetics] were like it’s not beautiful to distort women’s bodies, why are we doing this?”

The dress-reform movement also shifted the emphasis of women’s clothes away from the waist and up to the shoulders – an idea that has changed Spender’s approach to design. “It’s really interesting when your anchor point changes, how you come about designing and what you’re allowed to hold off – for me, it’s a major shift.”

In her work, she’s also attempting to untangle some of the sustainability conundrums inherent in the fashion industry. The industry is one of the most polluting in the world and is often linked to worker exploitation, but Spender is looking for solutions.

“I think [being sustainable] means being careful and respectful. That sounds really simple but it’s really complex in a creative world to be careful with your resources, to be really respectful of every metre of fabric you use.”

She has used dead-stock fabrics – those end-of-run fabrics usually discarded by manufacturers – since she started her label almost 10 ten years ago. And she has now made a commitment to increase the use of those fabrics from 23% to 50% of her production.

A model at Bianca Spender's fashion show
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 Spender’s Australian-made clothes are accredited by Ethical Clothing Australia. Photograph: Matt Jelonek/WireImage

In this collection, the fluoro orange, mint, butter and graphic blue print fabrics were all dead-stock fabrics. Using these fabrics makes her more creative: “I had to find ways to weave them in because they are so beautiful and compelling. There’s always a way to weave in something beautiful.”

She has worked with the same makers for many years, and her Australian-made clothes are accredited by Ethical Clothing Australia. She’s also working with a company that makes recycled polyesters and recycled fabrics, she has got rid of most of the plastic in her packaging and she has worked with The Social Outfit on a capsule collection made by refugee and new-migrant sewing technicians. Her next challenge is working with Water Stewardship Australia to look at the Chinese companies that make her silks, addressing how they can improve their water usage.

Spender also believes sustainability is about creating clothes that last and she says she has worn many of her own clothes for about 10 years. “[My collections are] always designed to not be out of fashion next season, so that is also intrinsic in it.”

She’s not alone in her push to increase fashion sustainability: other Australian high-end brands including Lee Matthews, Ginger & Smart, Arnsdorf and KitX are trying to improve things, while smaller ethical brands including Vege Threads, Pure Pods and Good Day Girl are breaking through. There’s also an industry push with initiatives including the Australian Circular Fashion conference, and online retailers including Well Made Clothes.

But she knows there is much more to be done, individually and collectively. “I’m not going to solve it on my own, but I’m just trying to work with anyone who’s interested in working with it and look at all of these different layers to see what version I can do.”

Since you’re here …

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Original Article posted by : The Guardian

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